At first, there was a farm, seen in “Pierrot le fou”, the Jean-Luc Godard movie. In the 1980s, Henri Vidal, an architect and inventor of reinforced earth, transformed the farm into a villa. Invited to the wedding of one of his daughters, Édouard Carmignac fell in love with the estate. He subsequently imagined turning it into a place dedicated to the arts. This project has unfolded over the last few years, thanks to the involvement of Atelier Barani for the design, and the GMAA agency for the project’s adaptation and extension..
The Villa Carmignac is set at the heart of a National Park and on a listed site. Additional construction is not authorized on the land. The entire project has thus consisted of clearing
2,000 square meters of space beneath the surface, without modifying the house’s contours or the existing landscape.
Inside the villa, the spaces expand and extend in the shape of a cross. In the center, an aquatic ceiling lets in natural light and illuminates these underwater spaces. The visitor walks freely around voluminous spaces marked by visual openings onto the vineyards.
In technical terms, the building meets all of the museum standards, in a sober design that
fits into the landscape, enabling the Villa Carmignac to welcome the best works under optimal conditions.